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YouTube Videos

Memphis Minnie - Kissing In The Dark

Memphis Minnie - Kissing In The Dark (02:32)

Memphis Minnie's last commercial release, and a good one. A 1953 stomper about STD's.

Memphis Minnie - Kidman Blues

Memphis Minnie - Kidman Blues (02:43)

Memphis Minnie

Memphis Minnie "Me and My Chauffeur" Memphis Jug Band  Gus Cannon Sleepy John Estes

Memphis Minnie "Me and My Chauffeur" Memphis Jug Band Gus Cannon Sleepy John Estes (02:48)

The East River String Band doing their version of the Memphis Minnie tune.

Memphis Minnie - Hoodoo Lady Blues

Memphis Minnie - Hoodoo Lady Blues (03:08)

Lyrics: Hoodoo Lady, how do you do? They tell me you take a boot and turn it to a brand new shoe But don't put that thing on me Don't put that thing on me Don't put that thing on me 'Cause I'm going back to...

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Live

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Biography

b. Lizzie Douglas, 3 June 1897, Algiers, Louisiana, USA, d. 6 August 1973, Memphis, Tennessee, USA. Raised in Walls, Mississippi, Memphis Minnie learned banjo and guitar as a child, and ran away from home at the age of 13 to play music in Memphis; she worked for a time with Ringling Brothers Circus. When in Mississippi, she played guitar with Willie Brown, and in the 20s made a common-law marriage with Casey Bill Weldon. However, she was with Joe McCoy (under the pseudonym Kansas Joe) by the time of their joint recording debut in 1929. Her guitar playing had a strong rhythm, coupled with the ragtime influence common among the Memphis musicians, and her singing was tough and swaggering. "Bumble Bee" was a hit, and Joe and Minnie recorded extensively, both together and separately; their guitar duets were among the finest in blues. Apart from songs about sex and relationships, Minnie sang about her meningitis (calling it, with gallows humour, "Memphis Minnie-jitis"), about her father's mule, "Frankie Jean", and about the guitarist "Mister Tango". The McCoys moved to Chicago in the early 30s, but split up in 1935, apparently as a result of Joe's jealousy of his wife's success. By this time, Minnie's music was reflecting changing tastes, usually featuring a piano and string bass, and sometimes trumpet or clarinet and a drummer. She was a star of the Chicago club scene, as she continued to present herself on disc as the tough, independent woman she was in reality. In 1939, she began recording with her third husband, Little Son Joe (Ernest Lawlars) on second guitar. They were early users of amplification, and made swinging music, although it lacked the rich complexity of her early recordings. Her lyrics were of considerable originality, as on a graceful tribute to Ma Rainey, recorded in 1940, six months after Rainey's death. "Me And My Chauffeur Blues", with its boogying guitar, also became widely known. In the late 40s, Memphis Minnie ran a touring vaudeville company, and she continued to record after the war, playing tough electric guitar. Her efforts to keep up with trends were proving less successful, however, and in the mid-50s, she and Joe retired to Memphis. Joe was already unwell, and died in 1961, while Minnie was incapacitated from the late 50s, and lived out her life in nursing homes.

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Books

bibliography.

  • Woman With Guitar: Memphis Minnie's Blues - Paul and Beth Garon

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